Tell us about growing up in Mississippi. Where are you from and have you always been interested in film? “I am from Jackson. I went to Millsaps for two years before transferring to university in New York.
I had a wonderful childhood anchored by two amazing parents who made sure I tried every activity and sport. But, the creative world really sucked me in. I ‘drew’ books before I could write and had my mom write the sentences. I directed plays in my backyard, made little films for book reports and was very into ballet until I realized I enjoyed acting and singing more. I did plays and acting camps at New Stage, and ballet at Ballet Mississippi. I was certainly interested in film, but had no idea about what it meant to be a film director. I have vivid memories of seeing films in Jackson. I watched the Wizard of Oz religiously at three years old, even my father knew all of the words. I remember going to the Deville Plaza Cinema and watching the Little Mermaid when it was released, and Mighty Ducks- maybe the loudest movie of all time. And I fell asleep!”
Did you go to school for film/acting? “I did. My two years at Millsaps I had about four majors. I didn't really know what I wanted to do. However, I played some great roles while there- Wendla in Spring Awakening and Maria in The Sound of Music. I was mentored by the Cokers, who were fantastic.
Then I transferred to Fordham in New York City where I received my BA in Acting. In the summers I worked with theatre/film companies and trained at acting schools around the world. I lived in Sydney and worked for the Sydney Film Festival, I spent my summers in London at the drama schools there. Next month I will graduate with an MA in Screenwriting from the London Film School. Then, I basically head straight to LA to start my directing fellowship at the American Film Institute Conservatory- the alma mater of directors such as Terrance Malick, Drake Doremus, David Lynch and Andrea Arnold.”
Tell me about the project that led you to the Cannes Festival. What inspired your project? Do you act, direct, produce, etc.? “I was there with three projects. I suppose the most prominent project was a short film I am developing called "In the Land of Lava and Ice" which is inspired by an illness I experienced three years ago and is set in Iceland. I was selected to pitch this script at the Marche du Film, the largest film market in the world. It was one of twenty projects selected from around the world to compete for 5,000 euros to make the film. It was a huge honor. I didn't make the finals, but I got so much support that I know I can make the project. I plan to write and direct that film within the next year but I haven't decided if I want to act in it. Acting and directing oneself is hugely challenging. But, I love to challenge myself and often feel strongly that I should play a role I create. I produce, but I don't have career goals to pursue a career as a producer. Often my projects are very low budget, so everyone takes on multiple jobs.
The other two films were in the Short Film Corner at Cannes. The Short Film Corner is a fantastic networking opportunity, and a great entry to be a part of the festival. A film I directed, wrote and acted in ‘Between Departures’ was in the short film corner, as well as ‘Blindness’ a fantastic, powerful short film directed by my friend and mentor Yvonne McDevitt, which I just acted in. I am particularly proud of Between Departures because it got me into AFI, has played several festivals (including the Berlin Film Festival), and has brought me recognition for my acting work.”
What brought you to London? “I applied and was accepted to the London Film School for their screenwriting course. I was attracted to the program because the school's films do really well at festivals. Just this year, an MA Screenwriting graduate won the Academy Award for Best Short. I also really wanted to learn more about writing and become a better writer. Plus, I wanted to experience living in a different country for a year.”
Where do you hope your career leads next? Do you prefer acting, directing, producing, etc.? “It all goes together in a way. This career takes time. I am very fortunate that I have had such wonderful support and opportunities to make it this far. I have worked with some wonderful people. I would say writing/directing, though if my career as an actor can fuel my filmmaking career I am certainly open to that. I find watching myself quite painful though!
I am going to focus on directing for the next two years, so that is the path I will most likely take. I admire filmmakers such as Lake Bell, who has a successful career as an actor but also writes/directs and appears in her own work. I think that is so inspiring. I do not necessarily want to act in everything I direct and I don't, but I do think it helps me stand out. On set I am calm, direct, kind and simple. I know what I want, and I am respectful of each actor and crew member, giving them the focus and space to do their best work.
I am introverted. There is no type of qualified personality you need to have to direct, nor is there a right way to direct. Some of the world's best directors are introverts… Look at Woody Allen and Terrance Malick. For some reason, as a young woman, I am often subject to unfair and negative criticism on my choice of a career. However, I think the lack of women directors in Hollywood is changing. I see no difference between women and men as directors, I believe in total equality. I was raised to believe I could do anything. My work is most definitely female driven, but I don't really single out the women in film movement. I believe that men too can make fantastic films about women. I just don't think there should be discrimination. My mother was the first female law partner at her office, but she never let that stop her nor believed it made her different.”
How did growing up in Mississippi influence your work? “In every way. The feature I am writing largely takes place in Mississippi. Mississippi has played a part in each of my short films, too- whether as location, or character background. There's really no place like it in the world. Think about all of the amazing artists and writers who have come out of Mississippi. The first play I directed in New York was by Tennessee Williams (and I hope to direct more theatre, and more of his work!)”
Jaclyn, what an impressive career! Thank you for sharing your passion and talents with all of us. We look forward to seeing more of you and your work in the near future!
Jaclyn’s Filmography:
Olivia Martha Ilse (2015)
Short
Writer/producer/actor
Director: Sophia Kiapos
Cast: James Frain, Emmy Award winner Tammy Blanchard, Tonea Stewart, Lindsay Newell, C.C. Kellogg, Christian Durso, Delance Minefee
“This project taught me so much and I am so grateful. I was working with some very well known actors who had worked with the greats. Just seeing how they worked was inspiring. For the most part this film was an out of body experience and I just couldn't believe it was happening. Based on Chekhov's Three Sisters relocated to the 1930s Delta, I still think of perhaps making it into a television series or something. Although, I would probably have to graduate to the eldest sister!”
Dear Annabel (2016)
Short
Writer/producer/actor
Director: Constance L. Hoy
Cast: Jaclyn Bethany, Evan Brechtel, Lauren Ledger, Tori Johnston
“I loved this idea and the character I played, Polly. It also features a mainly Mississippi-based cast and crew, which is awesome. I crowd funded this film, and it was mainly backed by Mississippians. I am eternally grateful.”
Between Departures (2016)
Writer/Director/Producer/Actor
Cast: Jaclyn Bethany, Patrick Walshe McBride
“It was my first film as a director, and I'm really proud of this film. It is about a girl who shows up in London, checks into an airport hotel and meets up with her ex boyfriend. It is shot in one hotel room, and has a bit of a Lost in Translation feel to it. But it's ultimately a film about a broken relationship.”
Schoolgirls (2016)
Writer/Director
Cast: Lauren McCrostie, Charissa Shearer, Rosie Tapner
“I am interested in young girls and adolescents in my work. This was the first film that really explored that. The film was short, so I had a lot of time to play around and experiment with the actors whom I loved. It was my first time truly behind the camera.”
Sunday Tide (2017)
Short
Writer/Director
Cast: Louisa Harland, Jenny Boyd, Ellie Goffe, Aisha Fabienne Ross, Allegra Marland and Sorcha Groundsell
“I just shot this, it is my favorite project to date. It is extremely visual and experimental, based on a feature idea, which follows six sisters who make a silent pact and live in a secluded beach house. It was highly ambitious, working with six girls who were all incredible, and shooting about 40 shots in one day. I want this film to premiere at a top festival. I think this film really encompasses my visual style and my love of actors. And I have a little cameo!”
Upcoming/In Development
In Transit (2017)
Short
“A follow-up to Between Departures, this takes place in Paris, where the protagonist travels to surprise her younger sister. I think it is a strong narrative and I'm so excited to shoot in Paris. I hope to make the ‘Between Departures’ shorts a series of shorts, each taking place in a different city, inspired by Richard Linklater's ‘Before Sunrise’ series.”
In The Land of Lava and Ice (2017)
Short
“The film which I pitched at Cannes, follows a washed-up child actress, recently released from rehab, who joins her sister and her new husband on a trip to Iceland. She wants to make amends, but things start to go downhill as her sister is overcome with a mysterious illness, and finds herself unexpectedly fighting for her life. This film brings awareness to blood clots, and it's extremely personal to me. I suffered from bilateral pulmonary embolisms three years ago. I also think the film will be stunning visually with Iceland as its backdrop, and really have the potential to have extremely moving performances.”
{Blog by Mitchell Walters}